Part 57: The Real Deal: Part 2: Going to Town
THE REAL DEAL: PART 2
We don't talk about boxes.
You can explore most of the town freely at this point, though you do have to talk to all available townsfolk before visiting Gustav and advancing the plot. We'll cover them in the order they appeared. First up is Meenya.





"I guess spiritual people can see me." I don't get it. What's spiritual about Meenya? Yes I know she's a ghost, ha ha, shut up. Rempo doesn't know that yet.
Once you leave the screen and come back, she'll be there again, and you can trigger the scene where she runs through Kamui. You don't have to visit her gravestone, nor is there any dialogue when you do. Let's see how this part plays out.



Enlighten me. Do Japanese children refer to themselves in the third person? Because English-speaking ones don't, in my experience.
This seems to be a trait of children and/or childish characters in Japanese media, but what child does this? I appreciate that it's probably a cultural thing, but hey, localisation teams, this is what your job is, wakey wakey. Children in this country do not speak like Dr. Doom.


So we discover that Meenya is a ghost, and...nobody really cares. Or at least Rempo doesn't have anything to say. Yumil could be mortified. We wouldn't know.



ugggggggh
I'll admit I'm probably bad at writing kids, but if kids uniroinically use the term "precious-wecious", I don't want to be good at writing them. That's right, preschoolers! If you don't know what irony is, you can drive your own damn selves home! I don't fucking care!
We're not privy to the physics of her giving us the doll. The dialogue suggests she hands it to us directly, rather than us scanning it. So it's not a ghost doll, but she can still carry it around, but then why don't people see a doll floating around town
GUYS
the point is, a thing happened in a JRPG and it does not bear close scrutiny, get to your fallout shelters cause this bomb is atomic

Next is Fana, and it should be obvious from his lack of words, but Yumil's not in a hurry to visit her. No mention that he does it every day at eleven o' clock, or that he frets over punctuality or anything else.





Now I did post this part earlier, but just to reiterate...







I'm really not kidding. This is the sum total of your interaction with Fana during your visit. If you want, it can be the sum total for the whole game.
Even if they had to keep the dialogue brief, and even with Yumil being mute, they could have had her say "Tell me about your day" or something, followed by a fade to black. That would at least imply that he's spending some time with her, rather than staring at her for thirty seconds and then just leaving.
Also, here's what happens if you answer with "The Book of Prophecy" instead of "I'm not sure."


"My only friend is reading moon runes from a book with honest to god moving, blinking eyeballs on the cover. Cool. I guess"
I did hint that normies see it as a regular old book, but the game doesn't. Unless you count the absence of raised eyebrows as a hint in itself, but I don't trust Avalon Code to be that subtle. If that were a thing, Rempo would have explained it.



What.
See, this is what I mean. They give us this bizarre line to explain why the bread has a Forest code on it, even though roughly zero people would have scanned the thing and went WELL WHAT THE HELL IS THIS DOING HERE? They'd never leave us to infer something pertinent like "Normal people can't see the book for what it is."



Odd place for a dialogue choice. Yumil's been cookie-cutter good guy protagonist until now. Why wouldn't he immediately say yes? Or nod. Whatever.
Regardless of your answer, Rempo says you might be able to use the book to save her, and that you should make that your goal for later. Fair enough.

No he isn't. He hasn't stopped smiling since the tutorial.







So...yeah. Kamui's a bit different, right?
Honestly, I didn't know what to do with the guy at first. I'm trying to make the characters semi-believable, and I couldn't think of anything believable about standing outside your house all day, doing nothing but rattling off flower meanings with savant-like efficiency.
That's his role in the game. He's just the flower dude. You bring flowers for him to identify so you can get a code off them. Why'd they need a character to do this? If they'd left Kamui out and had the flower pages be complete as soon as you scanned them, little would have been lost. He's not otherwise important.
Eventually I thought, fuck it, he's got the "timid" attribute so let's make him timid. And I mentioned it was savant-like how he knows all the flowers and goes on and on about flowers and never wants to talk about anything but flowers, so maybe he actually has some savant qualities.
Also...


Whoa. Really? Our best friend is crippled with illness? You'd think we'd have picked up on that by now! Thanks for cluing us in.
Yumil and Rempo's conversation about flowers never happens. In fact, you can go ahead and assume the same of any conversation between Yumil and Rempo. They can't have conversations because Yumil doesn't speak. Anyone reading the game's script without context would think Rempo's the one with the imaginary spirit buddy.







did I make this "HELLO, I AM MAYOR ELF" exposition less blatant, i really hope i did


I said I wasn't covering Vis and I'm not, but you can find some cookies in his house. There's no dialogue for this, nor are they particularly important. They're just there, and you can scan them.
I left it out because I couldn't think of a reason for Yumil to go into the creepy old pervert's place. And even if I could, I wouldn't want to write any scenes that might ensue.








AGAIN, THANK YOU FOR INFORMING ME. AS YOU KNOW I HAVE NO LONG-TERM MEMORY AND I AM GLAD EVERYONE IS SO ACCOMMODATIVE OF THAT.
But yeah, nothing much altered here. Just some tweaks. And Yumil's responses, of course. Also, what the hell Rempo. Chill out.
Now time for the big one.



Yumil then displays this weird speech bubble with three red slashes in it. I think it's supposed to indicate blushing? I dunno.













As you can see, Yumil really has been skipping classes, although it's never explained why. This is largely where my version of the scene stemmed from. Why would he skive off? I didn't like the idea that he's just lazy, because I defy you to find an orphan child who has as much of his shit together as Yumil does. The kid's a homeowner, for god's sake.
But look at that scene. Gustav's kind of an ass here.
I think he's doing it to goad Yumil into trying harder. Adults can appreciate that method of teaching. They're mature enough to take their frustration and channel it into effort, or at least some of them are.
Yumil's not an adult. He's a kid. A kid's just going to get angry and upset. Aaaaand bingo. There's our reason.






What, so a person can learn your entire repertoire by flipping switches and smashing boxes? Why are you alive?


What did he have to learn in the first place? He can use any weapon as long as it comes from the book, right? Why did he come here at all?
I admittedly had Yumil ask to duel Gustav to fit their more hostile dynamic, but thinking about it now, it also fixes this inconsistency. He went there to pick a fight, not to receive tutoring he no longer needs. That makes more sense.
I fill plotholes without even meaning to. I am human caulk.








Cue boss fight. And of course the dude has no qualms about killing you. You get a game over if you lose! I don't know what else that could imply!
And right away we cut to Yumil using Whirlwind Blade. Whatever. He learned everything else without having to be taught. Why should this be any different?


Out of...?


How do you know? Fifty could be a perfect score! Fifty out of what?



Ooh, that's intriguing. Does Gustav know something? Has he a greater role to play in this story?
No on both counts. He just likes to make vague, foreboding declarations to nobody in particular. You need to allow a person their little quirks.
Now I was going to question his total lack of surprise and/or confusion at Yumil turning up and having to squeeze his newfound massive balls through the doorframe. Most instructors would wonder why a slack-off student is suddenly able to beat their ass into stiff peaks. BUT, given that the Eastern Sword school can apparently be mastered in ten minutes, I imagine Gustav's used to losing by now. So that actually makes sense. Well done, Matrix.