Part 62: The Real Deal: Part 7: Hye Hye Hye, Feh Feh Feh
THE REAL DEAL: PART 7
Is it just me or did this look like a body blow? Apparently anything in video games can KO someone as long as it's a sucker punch. Can't wait for Avalon Code 2's protagonist to be subdued by surprise nipple twist.






It's hard to get a feel for the passage of time or how big Avalon Code's setting is supposed to be. However, considering they managed to cart Yumil this far into the desert before he woke up, I'm starting to wonder if the world is as small at it feels and you really can get from Rhoan to Samiad in only a few minutes.
That's all the dialogue here, by the way. Next scene is us arriving at Olly's palace.













I already had Yumil point out how stupid this is, but it bears repeating. Why didn't Olly just ask us to come? It's not a bad deal for us and we wouldn't have a choice in the first place. Kidnapping gets her nothing but distrust, both from the characters and the player. We yawn when she stabs us in the back, because we knew it was only a question of when.
I suppose the idea of a villain who pretends to be friendly and helpful when they're actually not was a little too complex for this game. This ain't a fuckin' mystery thriller, let's not go overboard here.

Not that we wouldn't instantly recognise her as a villain regardless. How about switching the designs and making Ellie the evil one? Play with our expectations a little bit? Just a little bit? It's not much to ask!
So of course you can choose not to help, and of course it's a waste of time. Rempo, of all people, stops you from leaving.

Damn right! You march back in there and help her achieve her goals, Yumil! That'll show her!




Cue boss fight.
I can't accuse Avalon Code of inventing the "I must test your strength" bullshit, but I can still blame it for using it in such a daft way. Our worthiness to learn your special technique is kind of moot if we need it to help you, isn't it? But again, Yumil already took her to task over it, so let's move on.






It's metaphorical, I know, but she's so matter-of-fact that it sounds like he's literally missing a vital organ.
Thanks for telling us that his character arc will be the "alleged emotionless person learns how to feel" one, though. His ellipses weren't quite standoffish enough to get the point across.





Yes, this is happening again. It's not a mistake.



That was quick!
Look, if all it takes to awaken your dormant, withered soul is someone asking what your name is, you might not actually have a problem.












DOES HE WANT A COOKIE
DOES ANWAR WANT A COOKIE

OH YES HE LIKES A COOKIE DOESN'T HE, OH YES WHO'S A GOOD BOY YES HE IS, I WILL SCRATCH HIS EARS

You are so playing this up.
Timeskip!




Awful. Not just because he's addressing the spirits, who should already know this, but having met blind people before, I can tell you they do not introduce themselves with "I can't see! Hello!"
How come Neaki didn't do this? "Though mute, I can still communicate!" Or Mieli? "Though having chained legs, I can still fly everywhere! Kinda got off lightly, considering!"



An alarm starts going off here, so he isn't saying this out of nowhere. Although I think it's a bit silly for this ancient desert ruin to have a modern day ding-dong security system.

No idea who the Ancients are, won't ever find out. I'll just assume they're the ones from Final Fantasy VII.







Cue boss fight.







urrrghhhh
Set your jaws, folks. This is gonna hurt.
First, this "Great Spear" doohickey. Ur and Rempo's dialogue implies that they were just really big weapons used by really big dudes. So, fair enough. Spear the size of a skyscraper? That'll do some damage.
How does Olly, a normal-sized old woman who needs a flying dinner plate to get anywhere, plan to use it? Is it more than a colossal pointy stick? Is there some kind of magical power to be harnessed? I don't know! They never tell us! It's just a Great Spear. Hell, y'all know what that is, right? Sure you do. No worries.
This is all the more infuriating since there is otherwise rarely a time when a character isn't over-explaining something, be it their background, their motivations, or, as we're about to see with Olly, their intent.
In my version, Yumil told Olly that, having learned about the Great Spear from Ur, he didn't plan on leaving it in her hands. You might have found that a little abrupt, a little forced. I wouldn't blame you. However, the alternative was pure, distilled, Explain My Evil Scheme For The Audience monologuing.
Are you prepared? Here it is.



To condense that for you: "I'm going to take over the world, I'm going to take over the world, I'm going to take over the world, giants, I'm going to take over the world."
Since you've already got her telling us things she has no earthly reason to be telling us, here's a compromise. Why not drop the last "I'm going to take over the world" and expand on that legend she was talking about? The one that explains how humans defeated their giant overlords with the spear, even though giants were the ones who used them? 'Cause that seems like it might be useful to know.



Now I want you to understand exactly what's happening here. First, we see a close-up of the book. Then a close-up of Olly, staring at the book. Then the above gif, in which she reaches down to grab the book, but is stopped.
The point is, she wants the book. I'd like you to keep that in mind. Okay? Okay.



*fade to black, splashing sound*


From. Fucking. Where. Who the hell could possibly have told her about that. Come on, people. I know you needed the spirits out of commission, but nobody is buying this pathetic excuse for a handwave. Either come up with a decent reason or let the spirits kick some ass for once and don't have us taken prisoner.

THOUGH BLIND I CAN STILL SENSE argharghargh


Or you could just kill him now. That would work. But if you're really determined to let him suffer, you could at least, I don't know, take the book off him, now that you explicitly know the spirits can't stop you.
She obviously wanted it! We saw her reaching for the damn thing! And even if she changed her mind, she should at least keep it away from Yumil so he can't use it to escape!
Why is this happening? This is abysmal! This game has more holes in it than Sonny Corleone!


could someone in this game please just laugh like a normal person








Interestingly, though you have to confirm it four times, you can indeed choose to give up on life here, and it will end the game.
Every other dialogue choice has been a pointless "But Thou Must" deal, and if there's anywhere you'd expect that to still apply, it's here. But no. They let your decision matter on the one occasion you'd never want it to.

Thanks. Thanks so much. I feel so liberated now.

I like how Neaki is the one who finally punts you to the Game Over screen. Everyone else is shouting "No, you can't give up, you're the chosen one etc. etc." but Neaki's just like "Seriously? Alright, see ya. Ha ha, except I won't."
She cold.


Oh, like that big, shiny metalize tablet behind you?


Another change I couldn't help but make. Why can't Ellie explain how to make the cure? Instead, the recipe just happens to be right there in the prison cell. Along with the bottle to put it in. And the key to the fucking door. Everything we need to escape, handed to us on a platter. What's the point of this sequence?




And as always, you seem to be thrilled about that.





She actually looks at Rempo here. I swear to god. This isn't her incidentally staring off to one side. She turns her head in response to his question and looks right at him.
CAN PEOPLE SEE THE SPIRITS OR NOT. I NEED TO KNOW THESE THINGS.










So now we're talking about Werman as if we've met him, even though we only saw him once from a mile away, and only know his name because the developers forgot to give him a [???] tag. And apparently he and Ellie and Olly were classmates. In what? Shaman school? Kindergarten? And then he and Olly decided to take over the world. Just because. I suppose it beats joining a fraternity.
Then Nanai stole that green tablet for no reason and "turned to witchcraft", which Ellie says like it's a bad thing. Ellie the witch.
And Ellie has the key to her own cell.
Again.
She has the key to her own cell.



It's possible I'm misremembering, but I'm almost sure she doesn't do shit for the rest of the game.








I could complain about how little convincing that took, but honestly, why bother. That'd be like complaining about wet socks after a flood destroys my house.
This is where I gave up. The gameplay wasn't getting any better, and by now, I knew the plot wouldn't either. All that kept me playing was bloody-minded inertia.
What a mess. What a goddamned mess.