Part 45: Chapter 5, Part 9
Video: Meeting
Our two groups meet once again, this time on the third floor. Satoshi's group is directly outside the girl's lavatory, and Ayumi and Yoshiki are outside the reference room.
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Handed over the [Baby Statue].
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This place is not the simple plane of spirits I'd previously surmised it to be. If we don't get out of here a.s.a.p., we'll be in real danger.
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It won't be quite so simple to achieve. Doing so will mean appeasing the malicious spirits that dwell here to unlock the gate that cuts through the planar void, back to the world we know. Using this technique before fulfilling this condition could be unimaginably dangerous. There's no telling what might happen.
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Video: Meeting ends here.
Music: Chapter 5's Second Theme
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We resume playing in control of Satoshi's group.
Let's head into the boys' lavatory and visit an old friend.
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Alright, we head down to the second floor.
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It's just a crank.
Sound Effect: Crank
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And we've opened another path for Ayumi and Yoshiki.
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Since the stairs down to the second floor are a dead end, we head back into the girls' lavatory.
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And we climb down the ladder in Seiko's stall.
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The secret passage brings us to the custodian's closet, and we head out and to the south.
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And up to the second floor.
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There are two pedestals here, and we've got two statues in our pocket.
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The Baby Statue seems like it would fit perfectly. Set it in place?
Yes
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The Marble Statue seems like it would fit perfectly. Set it in place?
Yes
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After setting the statues, a door appears in the wall. We head inside.
Video: Mother
This video covers the remainder of the update.
Music: None
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Satoshi leaves Naomi and Yuka behind, and approaches the door at the end of the hallway.
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Satoshi turns to look at the door.
There's a posting attached to the door.
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Satoshi heads into the infirmary.
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Satoshi takes a few steps forward.
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Yoshie takes a step towards Satoshi.
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Yoshie breaks eye contact, and Satoshi collapses onto the floor.
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The book seems quite old, with yellowed pages and frayed edges, but the carefully-inked letters are still completely legible.
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Satoshi runs around Yoshie and flees the infirmary.
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Satoshi runs down the hallway.
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The three of them run out of the hallway.
Music: Chapter 5's Second Theme
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Stop making things up, Satoshi. I saw no children.
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Music: Yoshie
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They're so full of life, and growing up so fast... The younger students are quiet and respectful, too. It's clear their parents love and care for them very much, and have taught them very well. But I won't be left behind! I intend to raise Sachiko with just as much love and devotion as any of them.
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Had to sort out some documents in the reference room before meeting up with Sachiko. While I was working, the principal dropped by.
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He'd always been so kind, lending a sympathetic ear to my problems...but today, he didn't even seem like the same man. His eyes were cold and empty. I was in such shock, I'm not even sure exactly what happened to me after that.
...
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Buckets of blood spilled out from my head. I'm sure it was hell to clean up later. I also lost control of my bowels -- embarrassing, to say the least.
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The principal closed in on her. What was he planning to do? I yelled with every ounce of my strength for him to stop...but I was dead. I had no strength.
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What a cruel man...
He rebuttoned my shirt, then took Sachiko to the basement and buried her. He'll probably say my death was an accident, and report her as missing.
I'm not a bad person. I don't deserve this. There is no redemption for what he's done...
7/20/1953
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The other teachers and students are all mourning me. They're so kind.
I'm in mourning too...
7/21/1953
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7/26/1953
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Bound to the site of her demise, Yoshie eventually exhausted all possible topics, filling the remaining pages with short passages like:
"I'm so alone. So very alone..."
"I want to see Sachiko again. I want to see the children again."
"I will never forgive him for what he did."
"I'll kill them all."
...Among other similarly mournful or angry sentiments.
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After a certain point, the diary's pages became so blood-soaked that they were all sticking together in a coagulated mass of gloppy paper. Skipping past the bloodied section yielded the very last few entries in the book, all of which were dated around twenty years later.
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Sachi is my pride and joy. She'd do anything for me.
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She sends me so many children. I love them all.
7/15/1973
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This won't make me happy. Sachiko, please stop.
7/16/1973
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I'm going to curse the entire line, forever. I'll burn some sense right into their brains.
7/17/1973
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Sachiko, who died alongside me twenty years ago, has a flesh-and-blood body once more. She kills children and sends their souls to me. But I don't want this! That won't make me happy! Sachiko...please, come see me! Talk with me!
7/20/1973
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And when they die, it's like every trace of their existence is removed from history. It's "spiriting away," in the truest sense of the term. But she's not capable of abducting and killing children on her own... She makes that man do the kidnapping for her.
Sachiko... Please, stop...
7/23/1973
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Now she's just killing because she likes it. I don't know when this change happened...but it did.
Living beings are such fickle, easily-angered creatures. They killed us, after all. I can't forgive anyone who kills another human being.
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7/24/1973
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7/25/1973
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8/15/1973
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9/18/1973
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She sent me three more adorable little children today.
Sachi is my pride and joy.
I don't think she even recognizes me anymore.
But I still love her with all my heart.
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The school's been closed down. And the principal jumped off the roof. Serves him right.
I think I'll sing with the children. Something fun and happy.
What a pitiful way to die. Serves him right!
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Sachi's been wandering the halls. These empty halls... She kills anyone who enters. People who've heard rumors, or are just curious.
She and I are both so desperately thirsty... But there's nothing we can do about it.
Music: None
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