Part 36: Blackwell Convergence - Update 11
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Rosa and Joey are left on the fire escape with naught but the sound of falling rain in their ears.
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Rosa and Joey return to their apartment in shock.
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Actually, that's a damn good point. How the hell did we not get arrested here? Fortunately, I think Claude and Rosa were both too awkward to actually touch one another, so that will help matters.
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I love the way these two are dramatically standing back to back here like a daytime soap opera
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Joey's right on that. There was only a couple of seconds between her materialising and Claude smacking the pavement. Of course, that doesn't make Rosa feel any better.
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She had a lit cigarette as well. But Joey's comments just rile Rosa up.
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In a uncharacteristically decisive moment for Rosa, she vows to succeed where her aunt failed and rid the world of the Countess. Joey is quiet here; I guess he's not used to seeing Rosa this passionate and driven.
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Her voice is full of calm resolve here. This awful event may yet turn out to be the making of Rosangela Blackwell.
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As Rosa enters an uneasy sleep, the jumbled whispering voice starts up again. Time for another dream sequence!
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Rosa finds herself back on the fire escape. In addition to the jumbled voices, the stale blowing breeze of a ghost can be heard.
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This ghost lady is right - Rosa is indeed turning out to have a "stiffer spine" than Joey thinks. I'm not sure I like the comment about needing to be wary of him, though...
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Another challenge?
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These dream sequences are very short, but you get the feeling that they're quickly working towards a conclusion.
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Another day rises, as Rosa emerges from her bedroom.
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Plenty of subtlety in these two lines. Joey is gracious and polite, as though he may have gained a tiny bit more respect for Rosa, while Rosa keeps her thoughts to herself. If anything, the dynamic between these two has switched around, with Rosa holding her cards to her chest while Joey treads on eggshells around her.
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Even if we try to get Rosa to talk with Joey, she doesn't want to.
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Joey can try to speak with Rosa instead:
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Rosa now opens up a little bit.
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Ahh, there we go, back to the usual dynamic
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Rosa asks Joey for more info about Mitchell.
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That seems to be a common theme for this update.
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Mitchell did die over a decade ago, but then the Countess died over three decades ago. He could still be somehow wrapped up in this.
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Rosa heads over to speak with Nishanthi about the previous night's events, but she's still not home. That lady is always out. Funnily enough there was music written for her, so I have to assume she was included in the original script. Perhaps Gilbert wasn't happy with the art assets and cut her at the last minute?
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We're at a bit of a loose end, here. Rosa still doesn't trust the Meltzer guys, but it's not like there is any evidence of any kind of wrongdoing there. The Minetta is empty other than the bartender.
One thing is bothering Rosa, though. The Countess killed Claude and Frank, but Monique told us straight to our face that she physically saw Frank have a heart attack on the set. That just doesn't gel. It's clear that other people can see the Countess, and even if they couldn't, Frank would have been lifted off the ground like Claude was. There's no way Monique could have mistaken it for a heart attack. Rosa decides to go and speak with her.
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Rosa jumps straight into Monique.
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No, you didn't.
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Monique fidgets in her seat for a moment.
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Rosa decides to approach this from a different angle.
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Smooth. Actually, this kind of scene shows how far Rosa has come in terms of her ability to deal with awkward situations. After a bit more fidgeting, Monique has our answer.
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Ahh. I see.
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So that clears up that little mystery. Frank was choked to death, and judging by his dialogue a few updates back, it probably happened when he arrived early on set before the others had arrived. Monique probably got there next, found him dead, and received a coroner's report that his windpipe was crushed. With nobody close enough to Frank to dispute it, she fabricated the heart attack storyfor the sake of her company's survival.
Nice to have that cleared up, but we're still no closer to solving our immediate problems. Next up, Rosa and Joey decide to check out the Roosevelt Island lighthouse again. If you remember, Joey said yesterday that they should come back when it stopped raining.
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With the more pleasant weather, a man now standing around here. Now, he could just be a random man, but Rosa is still bothered by the lighthouse having appeared in Claude's painting of the Countess. When he began to sense her, he must have somehow detected that she dwelled in the lighthouse, or was visiting it for some reason. It's a massive long shot, but maybe this man has some link to the Countess as well?
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Let's chat with him.
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This guy makes it very obvious that he wants to be left alone, but Rosa doesn't give up that easily nowadays.
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Hahaha, she's still an adorable dork though
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Rosa keeps pushing the issue...
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Here's our opening...
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...but he's keeping tightlipped. If anything did happen here, he doesn't want to speak about it.
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This is going nowhere.
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His response to Rosa asking if anything unusual happened is a tiny bit suspicious, though. Surely if he was just here for a day out, he would say that nothing unusual happened, rather than simply being evasive. That would be the easiest way to get rid of us, right?
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He also seemed a bit guarded about his coffee mug. Rosa tries to sneak a peak...
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...but is immediately caught by the man, who tells her to go away. Looks like this is a job for Joey, instead.
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Gold Tech, hey? Let's do us a bit of research.
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Well, now this is something. Apparently someone was murdered at the lighthouse. The article says it happened last week, but of course this is the internet so the article could be ages old. It goes on to say:
John Goldwater was the chief researcher at Gold Tech, a local medical research facility.
John leaves behind his father, Marty Goldwater, who often keeps vigil at the scene of the crime.
I guess that old man was Marty, then. I'm not sure I like that Claude painted a sad image of the Countess "becoming something she isn't" at the site of a murder...
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With some time having passed since she awoke, Rosa is a little bit more willing to open up to Joey now, but only a little.
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Joey isn't exactly great at the whole agony aunt thing, mind you.
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We'll get back to that later. Let's follow up with Marty for now.
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Yep, that's him alright. So his son was murdered here.
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Hopefully he can give us some info.
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At least he isn't immediately against us asking questions. Before we ask about his son, though, let's see if he knows anything about the other various clues we've picked up over the course of this case.
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If Marty visited the Minetta decades ago, perhaps he knew Joe Gould?
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What about Mitchell?
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This dialogue adds some flavour, but is otherwise not very useful. Let's get to the topic at hand.
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Rosa asks about John's death.
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Rosa and Joey explain glances. There is no way this is a coincidence. The Countess was responsible for John's death as well, in exactly the same manner as the others. Just how many people has she been "helping" lately?
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Lazarus, hey?
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I don't know about this. The Countess is clearly involved in this death, but it seems unlikely that Lazarus would have since they wouldn't have any connection to Frank or Claude. I think Marty might be barking up the wrong tree here. Not that Rosa can tell him anything, of course.
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Yet another horribly depressing story in a Blackwell game
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Let's head back home and see if we can make some sense of this.
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Rosa opens up a little bit more with Joey...
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It's becoming increasingly clear that Rosa is not satisfied with how things are going here.
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She then turns her attention to John Goldwater.
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blackwell.gif
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Hahahahaha
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Actually, that's a good point. Back in Lauren's time, the victims of the Countess stuck around as ghosts, and so did Frank. Perhaps they were just exceptional cases? Presumably Claude didn't leave a ghost behind either, since Rosa and Joey never mention it.
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Maybe we'll get a ghost out of this after all!
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I guess that's a good an idea as any. Maybe Marty was on to something?
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They've got a phone number on their Oogle page, which is handy. Rosa gives them a call.
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For general information about Lazarus Technologies, press one. To inquire about our products, press two. To speak to an operator, press three.
Rosa tries to speak to a real person first...
You have reached the general office mailbox. Please leave a message, and someone will get back to you shortly.
...but nobody answers. Let's try option #2 next:
If you would like to request a product catalog, please speak to a customer representative.
Okay, we'll try the first option, inquiring about their products.
Lazarus Technologies is the world's leader in biomedical and biomechanical engineering. We supply research and development to hospitals and clinics throughout the world.
This message then continues to say:
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Meltzer are involved again? That changes things. I'm starting to agree with Rosa - something very suspicious is going on here.
Join me tomorrow as Rosa confronts the Meltzer brothers again to see what the hell is going on here. We're quickly heading towards the pointy end of Convergence!